Remember the hype leading up to the introduction of the Segway? Never believe the hype until you actually know what the product is…
Wrapped up a really long middle school lacrosse season. Ryan had a great season in goal and he’s continuing to learn the craft, but I am incredibly glad that we’re done for a little while.
I’m taking a six-week summer grad school class for the first time… and damn, there is a lot of work in a short time.
Spending the morning at the Subaru dealership while they make a warranty repair to our Outback. It’s a pretty nice customer lounge with extremely average coffee.
Luxury experience
A number of years ago, Liz and I celebrated our anniversary in Charleston and stayed at an up and coming hotel — The French Quarter Inn. We loved our stay, the location is perfect, right in the middle of the downtown area. At the time, it was a little expensive, but reasonable for a luxury experience. Liz and I stayed there a few more times for anniversaries and birthdays and each time, we loved our experience. I found a shot I took from our balcony in 2013 with a iPhone:1
We weren’t the only one who loved the hotel. The French Quarter Inn was honored as one of the best in America by Travel and Leisure. After they were honored, it was tough to get a reservation and the prices increased dramatically. We moved on to other places that we loved, too.2 While it was disappointing to get priced out of one of our favorite places, honestly, the experience was so great, I’m just glad we had a number of years to enjoy it.
This week, they were selected as the best hotel in America by TripAdvisor and #8 internationally. If you are looking to stay in Charleston and it’s in your budget, stay at the French Quarter Inn. It’s a wonderful experience and worth every penny.
Bob Wertz is a type designer, Ph.D. student and researcher living in Columbia, South Carolina. He’s been blogging since 2008.
Did some grad school work after watching the Andor finale… I had some weird dreams mashing up the two…
Color fonts and signal flags
I’ve been thinking about color fonts lately. Experimenting with the color fonts features in Fontstruct and Glyphs. Trying to better understand how to create color fonts. And while I’m starting to understand how they are made, I’m left with one major question… why?
Why do we need color fonts?
If you don’t know, fonts are typically monochromatic. Black and white only. Color is applied in software like Adobe Illustrator or Microsoft Office. The ability to customize is limitless.
Often, the case for color fonts is made for the web. A complex typeface design with color features that can be encapsulated as a vector font and customized via CSS would be appealing. But color web fonts support is inconsistent across browsers. I also think web-based design apps like Canva and Adobe Express that cater to more novice designers might have a use for some pre-colored fonts.
I did think of one application — nautical flags. I built a font on Fontstruct in 2009 with black and white flags, so with the new color font tools, I colorized the signal flags and updated the design. I called it SbB Foxtrot Sierra Charlie1 and I’m really happy with how it turned out.2 Fontstruct now allows you to download a COLR v1 color webfont and it’s free to download if you are a Fontstruct Patron.
I’m going to keep playing around with it, but I think color fonts will be a custom, niche tool with limited applications.
Bob Wertz is a type designer, Ph.D. student and researcher living in Columbia, South Carolina. He’s been blogging since 2008.
Loved this: Stop Trying to Raise Successful Kids. And start raising kind ones.
Overemphasizing individual achievement may cause a deficit of caring. But we don’t actually have to choose between the two. In fact, teaching children to care about others might be the best way to prepare them for a successful and fulfilling life.
On tiredness
I’m tired. It was a long semester — working full time and taking two classes is always challenging. But one of my classes was much more work than I expected. My son’s lacrosse experience was chaotic, poorly scheduled and quite frankly, not fun at all. I’ve failed at my goal to get healthy by my 50th birthday. Things haven’t gone great professionally. The world seems to be burning down around us. I’m tired. Exhausted. I feel it in every bone of my body.
I’ve always thought that the cure for tiredness was rest — and I will get some vacation time in this summer — but I think it’s more than just taking days off and ignoring work emails. I think the “cure” for this type of tiredness is hope. Hope that things will improve. Believing that I’m headed in the right direction. When things seem bleak, it’s easy to feel worn down. Tired. Hope lifts us up and moves us forward.
Over the last few months, I lost hope. I struggled to find the positives. It was so incredibly hard to move forward… to shake the tiredness… to focus… to be productive…
I need to remember why I’m working this hard.
I start a new summer class on Monday because I’m so close to being done with my Ph.D., I just need to keep going. Before I know it, I’ll be Dr. Bob. We have one more week of lacrosse and then we are basically done with organized sports until October. I’m still thinking about how to get healthier, even though I’ve failed time and time again, because I know I will feel better when I get there. I’ve got some new typeface designs that I’m working on that I’m excited about. Work is in the midst of yet another seismic shift, but I’m optimistic that the changes will be an improvement. Our government and the world is still a dumpster fire, but I’m hopeful for small signs of resistance.
Right now, I’m still tired. I’m hopeful that soon, I will get better.
Bob Wertz is a type designer, Ph.D. student and researcher living in Columbia, South Carolina. He’s been blogging since 2008.
I have no tolerance for people who preach compassion, but have no compassion.
Leo XIV is notably the first person named Bob to become Pope.
Prom pictures for my Jilly.
I’m writing a paper for class and I’ve just had to cite myself for the first time. That’s a pretty funny feeling…
I know that students love the food delivery robots, but my favorite campus robot is the little grass cutting bot over by the observatory.
I need to finish a couple of class projects for the semester, but instead, I’m designing typefaces.
Clean Slate
Slate Auto announced their new electric pickup truck this week, and I’m intrigued. If you haven’t heard about it, the Slate is a barebones electric truck — intended to be customized — all for under $20,000 with current Federal EV incentives.1
Some of these ideas have been tried before. Jeeps have always promoted modularity and customization. The Slate uses plastic body panels like Saturn did. Toyota tried to target youth with Scion, which was intended to be heavily customizable. But Slate takes these concepts further. Much further:
- The Slate comes in one color – gray – because they intend for you to customize it with a vinyl wrap. Wraps are apparently cheaper than paint and with a wrap, you can get any design or color you can imagine. (I built the green version above using their online configuration app.)
- Hand crank windows.
- No screen. No speakers. But you can add both if you want them. I’m fine using my phone as the entertainment system and adding speakers.
- It starts as a pickup, but it can be converted into an SUV. Or a Fastback. Or a Jeep-style open air vehicle.
- “Slate University” teaches you how to take care of your own vehicle and customize it.
I love the base pickup, but the fastback looks great too. 150-mile range is plenty for my commute. I’m sick of boring car colors, and as a designer, I’d love to customize the wrap. The base safety tech checks all the boxes. It’s a completely different direction than every other car manufacturer is taking, and I can’t wait to see how it all comes together.
Bob Wertz is a type designer, Ph.D. student and researcher living in Columbia, South Carolina. He’s been blogging since 2008.
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That’s if the current administration doesn’t destroy the EV market. ↩︎
The Cubs' offense is fun to watch this year. I’m glad they score lots of runs, because the team sure gives up lots of runs.
Return to Fontstruct
About 16 years ago, I started playing around with Fontstruct, an online tool for crafting modular typefaces. I’ve released 48 designs on Fontstruct and some of those have served as prototypes for designs that I finish in Glyphs, my favorite type design app. I tend to work in Fontstruct intensively for a while, and then disappear for a year or more. But I love the tool and contribute as a “Patron.”
Lately, I’ve been on quite the streak.
SbB Papaya. I was watching F1 and McLaren uses some modular numerals on their cars. Based on those numbers, I built an entire design. I wasn’t sure if the look was going to extend through the whole character set, but the design actually works pretty well. And as a bonus, the Fontstruct team selected it as a top pick.
SbB Powercore. I’ve had some drawings in my sketchbook of a unicase design that I like a lot, but haven’t gotten around to building. I wanted to see how the letterforms would work together so I built a quick pixel-font prototype.
SbB Astrometric. I took the basic letterform structure of Powercore and tried different approach. I thought this would look vaguely sci-fi when I started to build it, but as I built out the character set, it had a somewhat older feel. Not sure why. I’m really happy with it and this is one of those fonts that I’ll likely rebuild and polish in Glyphs. I think the design would work well as a variable font design.
SbB Theorem. I built this a few years ago, and forgot about it. So I dusted it off and added a few additional characters that I skipped over earlier.
SbB Greenlight. All the cool kids are building color fonts on Fontstruct. It’s a feature that’s available for Patrons. I’d played with it once before to add some color to my Dingbots and Monsters design, but I hadn’t tried to build a color typeface. I built SbB Greenlight to experiment with the process of building a color design. I’m still not 100% sure why we need color fonts, but it’s a fun process and a pretty accessible tool for anyone that’s worked with design software like Illustrator or Photoshop that use layers to organize art.
You can download and use any of these1 if you set up a free Fontstruct account. I don’t know if I’ll keep up the pace, but I’m really enjoying building typefaces right now and I’m inspired by the other designers in the Fontstruct community.
Bob Wertz is a type designer, Ph.D. student and researcher living in Columbia, South Carolina. He’s been blogging since 2008.
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Except for the color font. That’s a Patron exclusive. ↩︎
Happy Easter from Team Wertz!
Quick favor. I need a few more responses for a pilot study on social media use that I’m doing for a grad school class. It’s a simple Google Form. Completely anonymous and it won’t be used for published research. It’s just for practice – and a grade. Thanks!
Watching the Rocketeer because it’s fun to watch the good guys fight the Nazis.
Spent today at Augusta National with no phone or digital devices. It’s nice to be forced to unplug for the day.
I’m back to playing around on Fontstruct. Just published SbB Powercore, a unicase, pixel-inspired design. I’m digging this combination of unicase characters. Still a work in progress.
One thing about going back to grad school in your late 40s… everyone thinks you are a professor.
Getting back in the habit of writing one of my elected representatives every day.