Long Posts
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I added sbbfonts.com a couple of years ago to give my type designs their own site. ↩︎
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I will note that for many people, the cost snd process of renewing domains is a legitimate issue. ↩︎
- The Slate comes in one color – gray – because they intend for you to customize it with a vinyl wrap. Wraps are apparently cheaper than paint and with a wrap, you can get any design or color you can imagine. (I built the green version above using their online configuration app.)
- Hand crank windows.
- No screen. No speakers. But you can add both if you want them. I’m fine using my phone as the entertainment system and adding speakers.
- It starts as a pickup, but it can be converted into an SUV. Or a Fastback. Or a Jeep-style open air vehicle.
- “Slate University” teaches you how to take care of your own vehicle and customize it.
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That’s if the current administration doesn’t destroy the EV market. ↩︎
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Except for the color font. That’s a Patron exclusive. ↩︎
Digital permanence
A friend was digging through some college artifacts and found my 32-year-old business card from when I was an officer with Carolina Productions, the University of South Carolina student programming board. She sent me a picture and I noticed something funny: I still have the same email address.
I came to USC as a student in 1993 and got my first email address. I used that email address with a command line system until I graduated in 1997. At some point years later — I became an adjunct instructor and was able to reclaim that address and use it as an IMAP account. When I became full-time staff, I continued to use the same email address, this time connected to Microsoft 365.
I’ve had several home addresses and a couple of phone numbers since 1993. Those were connected to my physical location or my service provider so as I moved, things changed. By contrast, I’ve had two of my three main personal domains — sketchbookb.com and bobwertz.com — for almost two decades.1 I’ve changed my hosting service a couple of times, but the URL remains the same.
One of the benefits of domain-based identity systems used on the web and in email is permanence. Social media platforms come and go, and when you are connected to them, it’s like a physical address. When you move or the service disappears, the address changes. But as long as you renew the domains2, you can maintain your digital identity, even as technology advances or you change providers. I really like the domain-based usernames on Bluesky and I hope other services follow suit. Hopefully in 30 years, I’ll find one of my current Sketchbook B business cards and still be able to go to my website.
Bob Wertz is a type designer, Ph.D. student and researcher living in Columbia, South Carolina. He’s been blogging since 2008.
Two new typefaces for my 50th birthday
Two new typefaces: SbB Nineteen 75 is a free download and SbB Certiphica will be available soon at MyFonts
Scenes from a roadtrip
When Liz asked me what I wanted to do to celebrate my 50th birthday, I told her that I wanted to go to a Cubs game in Wrigley. I hadn’t been to Wrigley since 1988 when we moved back to South Carolina. Liz and I decided to make it happen, albeit a week before my birthday. Instead of dropping one image at a time, I figured I’d take more of a photo essay approach.
We dropped our kids off at Lutheridge in Arden, North Carolina. Our oldest is a counselor there and the kids have always been Christmas week campers. Once they were settled, Liz and I hit the road.
On the way up, we visited Buc-ee’s for the first time and eventually stopped for the night in Indiana. Liz had never seen Batavia, Illinois where I grew up, so that was our first stop. The next day, we got to Batavia around lunchtime and ate in a pub where the grocery store used to be. Spent some time driving around town and got to see our old house and the church that my dad was pastor. Crazy to see how much has changed and how much is still the same.
In retrospect, this workroom in the church was a great influence for me, filled with copiers, paper, folding machines. Everything a someday graphic designer might love. The door was exactly the same as I remember it.
We found the old windmill by the Fox River where we used to go sledding…
…and even paid a visit to the coolest school field trip location in the world, Fermilab.
Once we got to Chicago, we walked over to Lake Michigan and Navy Pier.
We walked along the Chicago River. And the John Hancock building was a couple of blocks from our hotel. We tried to walk as much as possible, but the heat was pretty bad the last day we were there.
We met a few dinosaurs at the Field Museum. I wanted to visit Sue, the T-Rex. But Liz loved Maximo, the Titanosaurus.
We made it to Wrigley for the Cubs game. I got to see the Cubs beat the Royals 6-0 in a game that included a little bit of everything including Suzuki stealing home.
To break up the trip on the way back, we stopped in Lexington, Kentucky and had an amazing dinner at Dudley’s on Short. I’ve never been to Lexington before and it was great.
We had a wonderful time, even if road construction threw us a couple of curveballs. Really thankful for Apple Maps, which made some time-saving route recommendations. The kids had a great time at camp. And we’re finally back home.
Next week, we celebrate my 50th birthday for real, but this experience was exactly what I wanted.
Bob Wertz is a type designer, Ph.D. student and researcher living in Columbia, South Carolina. He’s been blogging since 2008.
SbB Emote: A colorful faux emoji set built in Fontstruct
I built a set of adorable icons on Fontstruct.
Adobe's Project Indigo a home run in tough lighting
A quick comparison of two shots at a baseball game show the promise of Adobe’s computational camera app.
Embracing old tools in new ways + two new Fontstruct designs
Experimenting with new features in Fontstruct, Photoshop, and Glyphs has inspired the creation of two new font designs, SbB Vertica and SbB Roundabout.
Artificial intelligence with a side of seasoned fries
A brief “review” of Bo-Linda: Bojangles AI-based drive-thru ordering system
Beware hype without details
Remember the invention that was going to revolutionize transportation in the early 2000s? Apparently not…
My Three Fontstruct Color Competition Entries
Every so often, Fontstruct has a themed competition and the current competition focuses on the new color features. I’ve pulled together three color designs that try to use color in different ways — a pattern, a bright multicolor whimsical design and a 3D effect.
One of the fun things about the competitions is the amazing creativity that comes out of the community. Fonstructors can interpret the theme is very different ways and it’s always amazing to see the varied approaches driven by a simple prompt. I’ve entered a few times and even got an honorable mention once in the “Reverse” Competition for SbB Codebreaker. I will also note that I’ve been impressed with how Affinity Designer has handled the color fonts. Seems to work flawlessly.
SbB Lumberjack
My first idea for a colored font was to make a pattern. I played with a couple of different patterns, but settled relatively quickly on making a plaid. One challenge was related to the scale of the pattern in relation to the size of the letters. My original plaid pattern was much bigger, but didn’t work well with some letters. I tried a couple of different sizes, but ended up with this one. This pattern is often associated with lumberjacks, but I think my wife has pajamas with this plaid pattern.
SbB Lightbright
I wanted to create a bright multicolored design. Really lean into the color theme. (And I always love to create Fontstruct designs that use a single brick.) I started with a square pixel, but eventually switched to a circle. The round dot reminded me of a Lite-Brite. I used Adobe Color to pick a color palette that would work on a black background. I wanted some whimsy, so I created a bouncing effect… Uppercase letters create a character in a higher position. Lowercase letters drop them down a block. So if you alternate case, the letters bounce up and down.
SbB Perspectives
Another random idea was to build a font that would work with 3D glasses. To be honest, I don’t have any 3D glasses laying around, but this feels like watching a 3D movie without the special glasses. So mission accomplished. I kept the design simple, because the type needs to be large to experience the effect.
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Not sure if any of these will be selected as winners or honorable mentions, but I’m really happy with how they turned out. And I can’t wait to see what everyone else does.
Bob Wertz is a type designer, Ph.D. student and researcher living in Columbia, South Carolina. He’s been blogging since 2008.
Luxury experience
Reflecting on a favorite hotel in Charleston, SC that was just honored as one of the best in America.
Color fonts and signal flags
I’ve been thinking about color fonts lately. Experimenting with the color fonts features in Fontstruct and Glyphs. Trying to better understand how to create color fonts. And while I’m starting to understand how they are made, I’m left with one major question… why?
Why do we need color fonts?
If you don’t know, fonts are typically monochromatic. Black and white only. Color is applied in software like Adobe Illustrator or Microsoft Office. The ability to customize is limitless.
Often, the case for color fonts is made for the web. A complex typeface design with color features that can be encapsulated as a vector font and customized via CSS would be appealing. But color web fonts support is inconsistent across browsers. I also think web-based design apps like Canva and Adobe Express that cater to more novice designers might have a use for some pre-colored fonts.
I did think of one application — nautical flags. I built a font on Fontstruct in 2009 with black and white flags, so with the new color font tools, I colorized the signal flags and updated the design. I called it SbB Foxtrot Sierra Charlie1 and I’m really happy with how it turned out.2 Fontstruct now allows you to download a COLR v1 color webfont and it’s free to download if you are a Fontstruct Patron.
I’m going to keep playing around with it, but I think color fonts will be a custom, niche tool with limited applications.
Bob Wertz is a type designer, Ph.D. student and researcher living in Columbia, South Carolina. He’s been blogging since 2008.
Clean Slate
Slate Auto announced their new electric pickup truck this week, and I’m intrigued. If you haven’t heard about it, the Slate is a barebones electric truck — intended to be customized — all for under $20,000 with current Federal EV incentives.1
Some of these ideas have been tried before. Jeeps have always promoted modularity and customization. The Slate uses plastic body panels like Saturn did. Toyota tried to target youth with Scion, which was intended to be heavily customizable. But Slate takes these concepts further. Much further:
I love the base pickup, but the fastback looks great too. 150-mile range is plenty for my commute. I’m sick of boring car colors, and as a designer, I’d love to customize the wrap. The base safety tech checks all the boxes. It’s a completely different direction than every other car manufacturer is taking, and I can’t wait to see how it all comes together.
Bob Wertz is a type designer, Ph.D. student and researcher living in Columbia, South Carolina. He’s been blogging since 2008.
Return to Fontstruct
About 16 years ago, I started playing around with Fontstruct, an online tool for crafting modular typefaces. I’ve released 48 designs on Fontstruct and some of those have served as prototypes for designs that I finish in Glyphs, my favorite type design app. I tend to work in Fontstruct intensively for a while, and then disappear for a year or more. But I love the tool and contribute as a “Patron.”
Lately, I’ve been on quite the streak.
SbB Papaya. I was watching F1 and McLaren uses some modular numerals on their cars. Based on those numbers, I built an entire design. I wasn’t sure if the look was going to extend through the whole character set, but the design actually works pretty well. And as a bonus, the Fontstruct team selected it as a top pick.
SbB Powercore. I’ve had some drawings in my sketchbook of a unicase design that I like a lot, but haven’t gotten around to building. I wanted to see how the letterforms would work together so I built a quick pixel-font prototype.
SbB Astrometric. I took the basic letterform structure of Powercore and tried different approach. I thought this would look vaguely sci-fi when I started to build it, but as I built out the character set, it had a somewhat older feel. Not sure why. I’m really happy with it and this is one of those fonts that I’ll likely rebuild and polish in Glyphs. I think the design would work well as a variable font design.
SbB Theorem. I built this a few years ago, and forgot about it. So I dusted it off and added a few additional characters that I skipped over earlier.
SbB Greenlight. All the cool kids are building color fonts on Fontstruct. It’s a feature that’s available for Patrons. I’d played with it once before to add some color to my Dingbots and Monsters design, but I hadn’t tried to build a color typeface. I built SbB Greenlight to experiment with the process of building a color design. I’m still not 100% sure why we need color fonts, but it’s a fun process and a pretty accessible tool for anyone that’s worked with design software like Illustrator or Photoshop that use layers to organize art.
You can download and use any of these1 if you set up a free Fontstruct account. I don’t know if I’ll keep up the pace, but I’m really enjoying building typefaces right now and I’m inspired by the other designers in the Fontstruct community.
Bob Wertz is a type designer, Ph.D. student and researcher living in Columbia, South Carolina. He’s been blogging since 2008.
Is it unusual that Columbia doesn’t have an Apple Store?
Columbia, South Carolina lacks an Apple Store, which is unusual given its size compared to other cities that have them.
Slightly melted
During lent, our church switches to a slightly melted cross recovered after the church burned in the 40s.
Five lectures
Five lectures that sparked my interested in grad school research: Lehrer, Gladwell, Larson, Tufte, Vinh.
Nine years ago, I wasn't in a mass shooting
Nine years ago today, a family outing to a mall turned chaotic when a false alarm about a shooting caused a stampede, leading to lasting fear and memories.
AI and Design: It’s what you make of it.
In a lecture at the University of South Carolina, NC State’s Helen Armstrong emphasized the importance of designers learning to use AI as a tool, collaborating with data scientists, and overcoming student anxieties about AI’s impact on the design profession.