One app, three modes: The most interesting thing about the new version of Affinity isn’t the price.
When I became a designer 30 years ago, you needed three types of apps: a page layout app, a photo editing app and a vector app. You purchased those apps from whoever had the features you needed. Quark Xpress and Adobe Pagemaker1 were your options for page layout. Macromedia Freehand2 and Adobe Illustrator were your vector options. And while there were other photo apps, Adobe Photoshop was the dominant professional photo editor.
Quark missed the boat on Apple’s shift to OS X. Adobe purchased and discontinued Freehand. Without strong competition, Adobe’s Creative Suite app bundle essentially made InDesign free for designers who needed Photoshop and Illustrator anyway. Quark faded. Adobe switched to the subscription-based Creative Cloud model and became the only game in town.
But even with no competition, Adobe still offered separate apps for page layout, illustration and photo editing.
Affinity tried to be a non-subscription alternative to Adobe and so the original versions of Affinity tried to match the Adobe structure. Affinity Designer was Illustrator. Affinity Photo was Photoshop. Affinity Publisher was InDesign. However, the new Affinity is a single app, with vector, pixel and page layout modes. A completely different interface model. We don’t need three different apps any more. We just need one.
This unified model makes sense for the modern era of computing that is mostly focused on laptops and tablets. In playing with the new Affinity since its release, switching between modes is intuitive and I like the approach. (I was even able to easily hide the Canva AI tab that I wasn’t interested in.) Being able to freely switch between vector and pixel modes is liberating. On my M1 MacBook Pro, the Affinity app is absurdly fast.
I’ve been using Affinity off and on for 10 years mostly for personal projects.3 To be honest, I’ve mainly supported them because I wanted an Adobe alternative to exist. With Canva’s purchase and transformation of Affinity into a modern design app, I think they are posed to finally provide a realistic alternative to Adobe’s subscription model. It will be interesting to see how Adobe responds.
Bob Wertz is a type designer, Ph.D. student and researcher living in Columbia, South Carolina. He’s been blogging since 2008, an Adobe user since 1994, and an Affinity user since 2015.