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Comfort Star Trek

I’m home sick today and was thinking about shows I watch when I’m just killing time. Episodes I love to just put on in the background when I’m working (or sick). Most of the time, I open Paramount+ and play Star Trek. I figured I’d share my favorite “comfort” episodes. Warning: A couple of mild spoilers below for really old episodes.1

Mariner and Boimler on the USS Enterprise.

Star Trek: The Original Series

Star Trek: The Next Generation

Star Trek: Deep Space Nine

Star Trek: Voyager

Star Trek: Discovery

Star Trek: Lower Decks

Star Trek: Strange New Worlds

Star Trek: Picard


Bob Wertz is a creative director, type designer, Ph.D. student and researcher living in Columbia, South Carolina.


  1. Or Star Wars: Rebels, but that’s a post for another day. ↩︎

Stopped by Rutledge on my way across campus today.

A brick pathway flanked by benches and lush greenery leads to Rutledge Chapel at the University of South Carolina.

Dead Mall Memories

I know that enclosed shopping malls have fallen out of fashion, but I’m of an age where malls played a major role in my childhood. An abandoned mall in Columbia is being torn down and I was thinking today about all the malls that have played a role in my life. I figured I’d share a couple of memories of malls that are no more…

Shoppers at the Aiken Mall
Shoppers at the Aiken Mall. Photo by Tim Dominick accessed via the Walker Local and Family History site at Richland Library.

All three of these locations are finally being redeveloped and I’m really happy about that, but as a kid that grew up in the 1980s and 1990s, these old hangouts will always hold a special place in my heart.


Bob Wertz is a creative director, type designer, Ph.D. student and researcher living in Columbia, South Carolina.


  1. Originally, there was an open air mall on this spot called Richland Mall. Then it was redeveloped and the name was changed to Richland Fashion Mall. Eventually its name was changed back to Richland Mall. ↩︎

  2. Seriously! The store had a display high in the back with several monkeys. ↩︎

Twitterless: An Epilogue

Sbb twitterless 2

I wrote a post in 2016 asking how I would deal with the inevitable demise of Twitter. And followed up with posts in 2018, 2022 and 2023.1

In each of the post, one common refrain kept resurfacing. There is no equal for following a live event on Twitter. The last month or so, there have been several events in tech and sports that I would have followed closely on Twitter.

You know what? I didn’t miss Twitter at all.

Instead, I stuck with Micro.Blog and Threads. On Micro.Blog, I follow not only other Micro.Blog users, but I also follow a number of Mastodon users who I previously followed on Twitter. Most of those people are journalists or experts who I do not know personally. On Threads, I follow mostly people that I know personally, many of whom have common interests. These two services combined provided everything I needed. I didn’t even think about logging back into Twitter.

Finally, I’m baffled by friends who remain active on Twitter despite everything that Musk has said and done. They seem addicted to their “audience” and are scared to lose “engagement.” There are other options and it’s time to move on. The sooner you start building a new audience, the sooner you can leave Twitter.


Bob Wertz is a creative director, type designer, Ph.D. student and researcher living in Columbia, South Carolina.


  1. I’ve added all of these posts to bobwertz.com as part of my project to move older posts to this site↩︎

SbB Fonts: My new two-color type design site hosted on Micro.Blog

I decided a while back that I wanted to separate my typeface designs onto their own site. They’ve always lived alongside my blog and other creative projects, but they needed a home of their own, especially since I plan to expand the offerings in the near future. I’ve been noodling around with options, but today, I’m finally ready to release SbBFonts.com out into the world with a design inspired by two-color printing.

screenshot of sbbfonts.com

The Inspiration

When I became a designer in the mid-1990s, the web was just becoming a thing, and printed documents were the primary job of a designer. Two-color projects used only two spot ink colors — say green and black — for the entire job. (You also had a “third” color with the paper, which was usually just white.) Four-color printing or full-color printing was reserved for only the most important pieces with the largest budgets. For young designers in a pre-web world, two-color work paid the bills. Two-color printing presented challenges, but the process had a particular look. Designers who knew what they were doing could use duotones for images or print on colored paper to get a different look.

Two-color printing isn’t dead. Screen printing and letterpress still use spot colors, but full color printing has gotten cheaper and as a society, we don’t print nearly as many marketing materials as we used to. The craft of designing has moved past the lowly two-color press run.

I guess that’s why when I started to design a home for my typeface designs, I knew I wanted the site to resemble a two-color print job. Much of the inspiration for my type designs comes from my nostalgia for old tech. Two-color printing seemed like the perfect inspiration.

The Execution

The first question was what two “ink” colors to use? Since I wanted to use a dark background, I chose white and the bright green since I use that color for all of my Sketchbook B projects. I picked two dark greens to be backgrounds — essentially a dark mode and a darker mode.1 Accommodating the two background colors meant that I also needed to use transparency on all of my example graphics, including my fake “duotones” and my animated GIFs. You can see the example below of one of the images I used placed over white, dark green and darker green backgrounds. I’m happy with the result, even if there are far easier ways to accomplish this look.2

three examples of the duotone approach using an image with shipping containers and a crane

This site is hosted as a “single page” on Micro.Blog. This might be the worst named feature on Micro.Blog since you can absolutely have more than one page. It’s simply a static Hugo site that doesn’t include a blog. I built everything on the Tiny theme by Matt Langford — the same version that I use for bobwertz.com. This feature is included in my Micro.Blog subscription, so my additional cost is essentially nothing.3

To get the look I wanted, I had to write a bunch of HTML and CSS. My old site was on Squarespace, so it has been a while since I worked so closely with markup. I spent a good bit of time digging through reference guides to make sure I was doing everything correctly. But honestly, if you look under the hood, it’s probably a mess. Just a warning.4

I still have a little refinement left, but I’m happy with where the site is. I need to finish proofreading and rework some of the copy. I’m thinking about future development… I’ve got a plan on how to change the home page when I add a few more typefaces. Right now, I think the five fonts currently presented in this way is about the maximum.

Head over to SbB Fonts and let me know what you think.


Bob Wertz is a creative director, type designer, Ph.D. student and researcher living in Columbia, South Carolina.


  1. The print designer in me would like to acknowledge that I’d likely need to use two hits of white on dark paper to get this effect. Meaning that it would likely need to be a three-color job. I’m ignoring that inconvenient truth. ↩︎

  2. Or, you know, not having a “light mode” version… ↩︎

  3. I did choose to buy a domain name. ↩︎

  4. The last time I built a site by hand, tables were an acceptable construction method. ↩︎

Voted in the primaries on the way in to work.

A neighbor has built a custom motorcycle sidecar for his golden retriever. I’ve never seen a dog that happy.

Motorcycle with a sidecar. Golden retriever is in the sidecar.

15 years of Fontstruct

I realized this morning that I’ve been using Fontstruct for 15 years. Fontstruct is an online tool for building modular typefaces. My first typeface design — Big Thursday — debuted on May 26, 2009. Since then, I’ve publicly released 49 fonts on Fontstruct and 19 have been selected as “Staff Picks.”

The original version didn’t have a lot of flexibility,1 but over time developer Rob Meek has added new brick types, construction methods, kerning, support for color fonts and other features to Fontstruct to make it more powerful. My work tends to be a little brutalist, but if you want to understand the flexibility of the tool, check out the gallery to see what amazing creations people can craft with this online tool.

I don’t use the most complicated features, but I sometimes use Fontstruct to prototype an idea for a new typeface. One of Fontstruct’s best integrations is that I can download a file that I can open and refine in Glyphs.2 I recently created a design, moved it to Glyphs and built a variable font out of it.

Balancing work, family, grad school and other obligations, I don’t have a ton of time to spend in Fontstruct. But when they rolled out the Patron level of support for 5 euro a month, I subscribed immediately. I’m happy to support independent tools that are constantly improving.

I pulled together a sample of some of the designs I’ve created over the years on Fontstruct. Feel free to head over to my page and download anything you like. Or better yet, sign up for an account and start experimenting.

Examples of typefaces designed with Fontstruct

Bob Wertz is a creative director, type designer, Ph.D. student and researcher living in Columbia, South Carolina.


  1. And was built in Flash! ↩︎

  2. Glyphs is my type design software of choice. I love it. ↩︎

Not all saves are caught with the stick. Ryan ended up making this save by trapping it between his arm and his body

Got these installed today just in time for commencement this weekend. Look forward to seeing all the graduate photos…

Behind home plate for the Columbia Fireflies… I mean… Carolina Grits. #letsglow

Why didn’t the airbags deploy?

An incredibly strange accident, but my wife and son are fine.

SUV in a car accident surrounded by emergency vehicles.

Two weeks ago, Liz and Ryan were driving to school early in the morning in a midst of a rain storm when a pine tree blew into their path and impaled their 2020 Buick Envision. The tree was about 24 feet tall, passed through the headlight, through the engine, through the firewall, through the dashboard and extended several feet into the passenger cabin, between the front headrests.

SUV in junkyard impaled by a tree. Tree embedded in SUV with the hood up. Interior of an SUV with a tree going through the dashboad and between the headrests.

By some miracle, Liz needed only four stitches on her hand, caused by a ring that had to be cut off her thumb. And my 12-year-old son, who was in the front passenger seat, was completely untouched. Numerous people from firefighters and policemen to tow truck drivers and insurance adjusters have said they’ve never seen anything like it.

After people processes the shock of the accident, and the relief that everyone is okay, most people look at the picture of the interior and have the same reaction: “Wait, why didn’t the airbags deploy?”

The airbags did not deploy. And everyone has a theory about why.

My gut reaction is that the airbags behaved as designed, but I also could understand if the car wasn’t engineered to withstand such a strange, one-in-a-million accident.

Here’s the thing, though. I don’t know how airbag systems work. Most people don’t, but that hasn’t stopped us all from speculating. We imagine the airbag systems in modern cars to be this protective cloud that inflates around us, but I know it’s more complicated than that. We want to know why the airbags didn’t deploy because we want to be reassured that if it happens to us, we’ll be safe. But it’s just not that simple. There are too many variables.

We’ll never know why the airbags didn’t deploy, but Liz and Ryan are lucky to be alive and I’m incredibly thankful for that.


Bob Wertz is a creative director, type designer, Ph.D. student and researcher living in Columbia, South Carolina.


  1. That’s not at all how this works. ↩︎

First Cybertruck sighting. Was attracting a ton of attention. People were taking pictures with it. #cybertruck

What a great season. Undefeated. National champs.

📷 Micro.Blog April Photo Challenge #7: Wellbeing. A view from my back deck. Breeze blowing. Birds chirping. A little lizard running along the deck rail. Taking time to relax.

A look up at trees and a bright blue sky.

📷 Micro.Blog April Photo Challenge #6: Windy. Steady breeze at Ryan’s lacrosse game this afternoon.

American flag on a flag pole blowing in the wind with a blue sky.

📷 Micro.Blog April Photo Challenge #5: Serene. Calming green tea, after a Gamecock victory. On to the championship.

Green tea bag steeping in a South Carolina Gamecocks mug.

📷 Micro.Blog April Photo Challenge #4: Foliage. The Horseshoe at the University of South Carolina.

The Horseshoe at the University of South Carolina

📷 Micro.Blog April Photo Challenge #3: Card. Ace of Spades.

Ace of spades on a table

📷 Micro.Blog April Photo Challenge #2: Flowers. My wife’s amazing new sunflower tattoo, by Carly at Ophidian Tattoo in Columbia, SC.

Sunflower tattoo on a woman's forearm

📷 Micro.Blog April Photo Challenge #1: Toy. A vintage Micro Machine. Tiny, but with tons of detail.

Yellow Trans Am Micro Machine