Bob Wertz

I watched a couple of my favorite episodes of Buffy the Vampire Slayer tonight. The show was once one of my favorites and creator Joss Whedon could do no wrong. I loved Buffy, Firefly, The Avengers and Dr. Horrible’s Sing-Along Blog. I even watched Agents of SHIELD. But eventually, it came to light that Joss wasn’t the feminist he claimed to be, repeatedly cheated on his wife, and verbally abused many of the people he worked with, especially Charisma Carpenter.

Chocolate Cake for Breakfast is one of my favorite stand up routines. Bill Cosby’s family-inspired standup — long before the Cosby Show — was hilarious. But later in life, he was credibly accused of drugging and sexually assaulting several women.

Gill Sans is a legendary typeface, created by author, artist and typographer Eric Gill. I’ve worked for several companies for which Gill Sans was a key element of their corporate visual identity. But Eric Gill noted in his diary that he had numerous affairs, sexually assaulted two of his daughters… and his dog.

These are three examples, but they are far from the only examples. Many works of art and entertainment have been created by people who turn out to be despicable. How do you separate the creator from their work? Can you?

For me, I can separate Joss Whedon from Buffy and his other creations. He didn’t write every word and the show isn’t just him. The actors, writers, and staff brought the show to life and crafted the characters who I loved so much. But I have to admit that I’m now less likely to watch old episodes of Buffy, and I no longer hold the show on the pedestal that I once did.

It’s different for Bill Cosby and Eric Gill, though. Their creations are sole creative endeavors. As much as I might like Cosby’s old standup routines or Gill Sans, I can’t separate the creation from the person who created it. I don’t listen to old Cosby standup, and I don’t share it with my kids. I don’t use Gill Sans (or any Eric Gill typefaces) if I can avoid it. If I cite some of Eric Gill’s writings on typography like I did a couple of months ago, I include a comment that he was a horrible human being.¹

I’m not 100% sure this dichotomy makes sense, treating collaborative works differently than sole creations, but it’s where I am right now.

Bob Wertz is a creative director, type designer, Ph.D. student and researcher living in Columbia, South Carolina.