Sketchbook B: Letterhead and Envelopes

This post was originally posted on January 2, 2012 on Sketchbook B. It’s reposted here as part of a project to move some of my favorite writing to my new site.


Finally, after at least 4 years of using the Sketchbook B name for my personal projects, I have letterhead and envelopes.

Once the cornerstone of a corporate identity, letterhead and envelopes are becoming an endangered species. Digital communication is replacing written correspondence. And many people just print from a word processor with a logo at the top. (I personally think this has to do with how impossible it is to figure out how to load letterhead into a laser printer.) Pre-printed letterhead has become a luxury.

I printed business cards earlier in the year, but I hadn’t even considered doing letterhead and envelopes. I just don’t send that much written Sketchbook B correspondence.

I started reading Letters of Note and Letterheady and was inspired to start working on concepts. Something that would work for small quantities. Maybe a stamp or a label. But I couldn’t quite settle on something I was happy with.

One day, I was helping clean out a cache of old materials at the office and ran across a bin of old media – CDs, SyQuest drives, Zip disks, 3.5 inch diskettes and even 5.25 inch diskettes.

The 5.25 inch disks brought back memories of my Commodore 64. Using Print Shop for the C64 was the first time I used a computer to create and print a “design.” And it was likely the first time I ever thought about typefaces.

I had found my inspiration:

I took the dimensions of a 5.25 inch floppy disk label and worked up a concept. I’m sure at some point in the not-so-distant past, a floppy disk label was part of the standard corporate identity package.

All of the type in the system was initially designed with Fontstruct and later refined with other software. SbB Periodic is used for the address information and SbB Dradis for the logo.

The labels are odd dimensions - you can’t exactly buy precut labels that size anymore - so I had a local vendor print them on crack-and-peel on their Indigo press. I ordered a small quantity of Pop-Tone Sour Apple paper and envelopes from French.

On the letterhead and envelopes, the label wraps around the paper so the address is on the back. And the label can be used on folders, CD cases, binders and more.

Ryan

Leaf Pile!

Happy baby

Ryan waiting for doctor

I had 50 cents off from Kroger.

Random hospital room wallpaper

Ryan Alexander Wertz

Helipad

Old Hanger

Non-commute. Ugh.

Sew Awesome

This post was originally posted on November 10, 2011 on Sketchbook B. It’s reposted here as part of a project to move some of my favorite writing to my new site.


I was excited to help with the assembly of AIGA South Carolina’s InShow award for this year. Every year, the InShow “cube” is made of different materials or themes. Aluminum, concrete, cardboard, faux-quarium, ceramic, wood block, junction boxes, faux-cheese, a wrapped present and now…

The pillow cube was one we always wanted to do, but we never had the time to manufacture them all. So when Frances Grosse told me that they were going to finally do fabric cubes, I volunteered to help sew them. Frances picked out the fabric and patches and then she, Maria Fabrizio and I sewed cubes. The tags were created by Harrison Croft and pinned to the cube. (They aren’t in the picture above because these cubes are leftovers…) Definitely one of my favorite cubes.

Also: See my post from 2008 that details the process for making the junction box cubes.

Light

Pirate and Ladybug

The cast is off!

The Deanguin

Pin

The wounded…

Lizzy

Ice Cream