This post was originally posted on October 9, 2017 on Sketchbook B. It’s reposted here as part of a project to move some of my favorite writing to my new site.
In college, my first major was newspaper journalism. And even though I decided I didn’t want to be a reporter, I still have a respect for journalism and believe it’s a vital part of a functioning society. Fake news undermines one of the cornerstones of a healthy democracy.
If you want to combat fake news, here are some things to think about when you are cruising your timeline…
This story looks completely legit! Really? How do you know? Who wrote it? Is this a publication you are familiar with? Or a blog you’ve never heard of? Look at the sources. Do they even offer sources to support their “facts?”
But this headline is catchy! Did you actually read the article before liking it? Or worse, sharing it? The devil is often in the details. Maybe you should read those…
But I completely agree with it! Most fake news is written in a way that confirms your own bias. So especially if you agree with it, take a few minutes and double check that the story is accurate. If you feel so strongly about the topic, it shouldn’t take you any time at all to confirm it.
But I only need one source. I’m sure you think they are trustworthy, but if you only get news from one source, then you are a fool. And if only one unknown blog is reporting a major story, it’s a hoax. If there’s really a story there, trust me, more than one publication is going to be covering it.
When was this published? Where did this happen? Look at the date. Is this post years old and someone has just now rediscovered it? Does it even have a date? And where did it happen? Fake posts are often light on the details, because once you know where it happened, you can fact check it easier.
But look at the awesome picture! Are you sure that picture accurately reflects the article? It’s probably a stock photo unrelated to the article to get you to click on it. Fake news always uses fake photos… because the “news” didn’t actually happen.
People I know liked and shared this! It must be true. Or they got tricked, too.
**This is exhausting. I read so much news on social media. How can I check it all?**That’s what the scammers are counting on. That you are too busy or lazy to spend a few seconds thinking critically.
The only way to defeat fake news is to think critically. Social media sites want you to react quickly — like, share, retweet — and then move on to consume more content. But to combat fake news, you need to slow down and don’t just react.
When you read something on the internet that dovetails perfectly with what you want to believe, question it. Before you get worked up and repost or share that content, ask yourself if you took the time to actually think about it and process it.
Because everything you share is your responsibility, and if you share fake news, you are the problem.
Bob Wertz writes about design, technology and pop culture at Sketchbook B. Bob is a Columbia, South Carolina-based designer, creative director, college instructor, husband and dad. He’s particularly obsessed with typography, the creative process and the tools we use to create. He’s currently in the middle of a project to design a new shirt a week for an entire year.
This post was originally posted on October 8, 2017 on Sketchbook B. It’s reposted here as part of a project to move some of my favorite writing to my new site.
The Reformation started 500 years ago this month with the posting of the 95 Theses.
Each week for a year, I’m going to be designing a shirt and releasing it on my Threadless store. This is the design for week 16.
I’m a big fan of Luther, and not just because I’m Lutheran.
Luther was a passionate communicator and he used the latest technology to share his message. The newly-invented printing press made it possible for his ideas to spread across Europe.
“Luther was a passionate communicator and he used the latest technology to share his message.”
Luther focused on grace. The idea that we are all sinful and imperfect people and that we can do nothing to earn salvation. Salvation, instead, was given to us when Christ died on the cross for our sins. Today I look at the state of Christianity and I can’t help but think it’s time for another Reformation. One that focuses on love and reflects on what it means to be Christian — and to act like a Christian — in today’s world.
This week’s shirt is Team Luther and features a “95” in blackletter-inspired* lettering. This is the perfect shirt for Lutherans who want to celebrate the Reformation in a really subtle way. Lutherans never want to talk about their faith, so with this shirt, if someone asks you what it means, you can then tell them about the Reformation and about being Lutheran. After all, they asked.
* Blackletter is a type style commonly associated with medieval Germany. When I had this shirt idea, I thought I knew what blackletter numerals looked like. When I did my research, I discovered that I was completely wrong. So I drew what was in my head, and didn’t base it on a historical model like I had planned. Hence, “blackletter-inspired.”
** Red is the color of the Reformation, and the traditional color of doors in aLutheran church.
Bob Wertz writes about design, technology and pop culture at Sketchbook B. Bob is a Columbia, South Carolina-based designer, creative director, college instructor, husband and dad. He’s particularly obsessed with typography, the creative process and the tools we use to create. He’s currently in the middle of a project to design a new shirt a week for an entire year.
This post was originally posted on October 1, 2017 on Sketchbook B. It’s reposted here as part of a project to move some of my favorite writing to my new site.
I’m not a big fan of Halloween, but I do like candy.
Each week for a year, I’m going to be designing a shirt and releasing it on my Threadless store. This is the design for week 15.
I’ll let you in on a little secret… I don’t really like Halloween. I’m sure I liked it when I was little, but as I got older, it never really meant anything to me. I don’t necessarily hate Halloween, but I am completely ambivalent about it.
My kids and my wife, on the other hand, love Halloween. They dress up and go trick-or-treating, and I follow along, wearing some sports jersey or something, and pretending like it was a costume of some sort.
I wanted to design a shirt as part of the project to wear around with the kids while they trick-or-treat. But my initial sketches were terrible.
Finally, I asked myself what I liked about Halloween? The answer, embarrassingly, is candy. The stores are full of candy that you can’t get the rest of the year. And my favorite of the Halloween candy is candy corn.
So celebrate candy — and candy corn — with my 15th shirt, Happy Candy Day. You can buy it on my Threadless store, and since it’s Fall, I’ve even made it available as a sweatshirt.
Bob Wertz writes about design, technology and pop culture at Sketchbook B. Bob is a Columbia, South Carolina-based designer, creative director, college instructor, husband and dad. He’s particularly obsessed with typography, the creative process and the tools we use to create. He’s currently in the middle of a project to design a new shirt a week for an entire year.
This post was originally posted on September 24, 2017 on Sketchbook B. It’s reposted here as part of a project to move some of my favorite writing to my new site.
I struggle with the relationship between design and art.
Each week for a year, I’m going to be designing a shirt and releasing it on my Threadless store. This is the design for week 14.
My kids think that I’m a great artist. But most days, I wouldn’t call myself an artist. Designer, yes. Artist…. I’m not sure.
It’s probably a hangup from my youth, but to me, artists use natural media. Paint and canvas. Ink and paper. I feel completely lost with a paintbrush in my hand. While I work out ideas in a sketchbook, my tool of choice is a computer. And to be honest, I’ve always felt that makes me less of an artist.
I’ve talked to many designers my age who feel the same way. But younger designers often have no issue with the distinction between natural media and computer-based creations. They’ve grown up with computers as just another tool that artists use. It’s all art to them.
To complicate things further, as a designer in the business world, I’ve always been taught to base every aesthetic decision on a strategic need. Organizations struggle with subjective artistic decisions, but they love a problem solver. And so designers — like me — often downplay the “art” side of what we do in an effort to show the strategic value of design.
This shirt project is the first thing that I’ve done in a while that feels like an art project. The tools I’m using are the same ones I use when I’m working with clients. The process I’m undergoing is no different than my normal design process. But it feels different.
Maybe it’s that I’m creating for myself, or how I’m presenting the shirt project. Perhaps it’s because I’m not trying to justify my art with a strategic foundation. Whatever the reason, I’m now sure that the difference between artist and designer has nothing to do with the tools, and everything to do with perception.
* My wife thinks I’m an artist, too. And she reallydidn’t like this shirt idea.
Bob Wertz writes about design, technology and pop culture at Sketchbook B. Bob is a Columbia, South Carolina-based designer, creative director, college instructor, husband and dad. He’s particularly obsessed with typography, the creative process and the tools we use to create. He’s currently in the middle of a project to design a new shirt a week for an entire year.
This post was originally posted on September 20, 2017 on Sketchbook B. It’s reposted here as part of a project to move some of my favorite writing to my new site.
Honda’s onto something with their new Urban EV Concept Car
I posted yesterday about Honda’s new Urban EV concept car. And the more I thought about it, the more I realized every new car should come with a programable LED display. The car at the Frankfurt auto show had “#UrbanEV” on the screen, but that only scratches the surface. Imagine all of the potential uses…
Practical messages…
Sweet sentiments…
Wishful thinking…
Of course you are proud of your kid…
Maybe a little mild humor…
A gentle reminder not to tailgate…
I can see a future when every car has an electronic bumper “sticker” that can be changed with an iPhone app. So when your candidate loses unexpectedly, you can change it to “Don’t blame me, I voted for the other guy!” Maybe the anti-tailgating reminder can be triggered by a proximity sensor. Want to build a social media following? Maybe you can go with “You’re already following me in traffic, why not follow me on Twitter?”
And by the way, I built these quick Photoshop mockups with my new typeface, SbB Drivetrain 209. You can get it for free from Fontstruct if you are interested.
Bob Wertz writes about design, technology and pop culture at Sketchbook B. Bob is a Columbia, South Carolina-based designer, creative director, college instructor, husband and dad. He’s particularly obsessed with typography, the creative process and the tools we use to create. He’s currently in the middle of a project to design a new shirt a week for an entire year.
Team Wertz loves the new Cocky statue on campus. #uofsc
This post was originally posted on September 17, 2017 on Sketchbook B. It’s reposted here as part of a project to move some of my favorite writing to my new site.
I love concepts cars and modular type, so Honda’s Urban EV is right up my alley.
I grew up going to the Chicago Auto Show and love to see a fun concept car. And the Urban EV is definitely fun. I think it’s interesting to see how car companies are designing electric vehicles, when most of the design constraints from traditional cars — engines, transmissions, gas tanks, etc. — are completely eliminated.
But the thing that really grabbed my attention was the screen and typeface that Honda used on the outside of the car. It includes the name of the car and other details like the charging status. The typeface Honda created for the Urban EV reminds me of an experimental design I created in 2009, Micro 205, but with dots instead of squares.
I took Micro 205 and the Urban EV as a starting point and created an all new typeface on Fontstruct. SbB Drivetrain 209 uses two dots of different sizes to create the alphabet. I’m pretty happy with how it turned out.
A note about the “209” in the name of SbB Drivetrain 209. When I created Micro 205, I had this idea that I would add numbers to all my Fontstruct designs. Each number would combine the number of block styles used with the cap height in blocks, separated by a zero. Micro used 2 blocks and was 5 blocks high, so it became Micro 205. Another example… SbB Codebreaker with 1 block style and a cap height of 43 blocks would be SbB Codebreaker 1043. I never used the numbering convention after Micro 205, but figured it would be fun to dust off for Drivetrain since Micro 205 was part of the inspiration.
Bob Wertz writes about design, technology and pop culture at Sketchbook B. Bob is a Columbia, South Carolina-based designer, creative director, college instructor, husband and dad. He’s particularly obsessed with typography, the creative process and the tools we use to create. He’s currently in the middle of a project to design a new shirt a week for an entire year.
This post was originally posted on September 17, 2017 on Sketchbook B. It’s reposted here as part of a project to move some of my favorite writing to my new site.
5 years ago this week, I released my first commercial typeface.
Each week for a year, I’m going to be designing a shirt and releasing it on my Threadless store. This is the design for week 13.
I released a couple of free typefaces in the early days of Sketchbook B. But five years ago, I took a big step and released my first commercial typeface, Powerlane.
Powerlane is a massive typeface family. 20 different fonts. And when you count all of the letters and numbers, foreign characters and special OpenType alternates, the family has more than 8,000 glyphs.
I’m proud of Powerlane. I spent years designing Powerlane and learning all about the process of finalizing a commercial typeface. And even though I haven’t sold a ton of copies, I have sold copies on five continents — North America, South America, Europe, Asia and Australia — which I think is pretty amazing.
I’ve released four other commercial fonts since Powerlane: Valdes Clarendon, Power Grid 2.0, Intermodal and Saluda. You can buy all of them on Creative Market. Powerlane and Valdes Clarendon are available on MyFonts, too. You can check out all of my type designs on my Fonts page.
Also, a quick side note… With the release of the 13th shirt, I’m a quarter of the way through my 52 Shirts project. 39 to go.
Bob Wertz writes about design, technology and pop culture at Sketchbook B. Bob is a Columbia, South Carolina-based designer, creative director, college instructor, husband and dad. He’s particularly obsessed with typography, the creative process and the tools we use to create. He’s currently in the middle of a project to design a new shirt a week for an entire year.
This post was originally posted on September 10, 2017 on Sketchbook B. It’s reposted here as part of a project to move some of my favorite writing to my new site.
We personify the things we cannot control.
Each week for a year, I’m going to be designing a shirt and releasing it on my Threadless store. This is the design for week 12.
As I write this, Hurricane Irma is about to tear through Florida after devastating the Caribbean. I live in South Carolina, and earlier this week, we were in the path of this beast of a hurricane. Gas stations ran out of fuel. Grocery stores rushed to stock enough bread and bottled water. Irma turned west and now, we’ll likely avoid a direct hit.
But I also think that we personify these storms because it’s somewhat comforting to give a friendly, familiar name to something so incredibly terrifying. Irma, Harvey, Katrina, Andrew, Hugo… These were monstrous, deadly destructive storms, but each of them with a friendly, approachable name. We talk about them as though they are our next door neighbor. And it seems to me that the friendlier the name, the more dangerous and unpredictable the storm is.
“But I also think that we personify these storms because it’s somewhat comforting to give a friendly, familiar name to something so incredibly terrifying.”
So this week’s shirt is a reminder that no matter how friendly a storm name sounds, it’s still a dangerous force of nature. You can order “Never trust a storm with a friendly name” from my Threadless store. And stay safe out there.
* Bob was retired after the 1991 storm wrecked havoc in New England.
Bob Wertz writes about design, technology and pop culture at Sketchbook B. Bob is a Columbia, South Carolina-based designer, creative director, college instructor, husband and dad. He’s particularly obsessed with typography, the creative process and the tools we use to create. He’s currently in the middle of a project to design a new shirt a week for an entire year.
Unleash the unicorn. My daughter Jill and I designed this adorable unicorn for my shirt-a-week project. You can buy a Team Rainbow Unicorn shirt at sketchbookb.threadless.com.
This post was originally posted on September 3, 2017 on Sketchbook B. It’s reposted here as part of a project to move some of my favorite writing to my new site.
I designed this week’s shirt with my daughter.
Each week for a year, I’m going to be designing a shirt and releasing it on my Threadless store. This is the design for week 11.
My middle child, Jill, turns 10 this week. As part of my 52 Shirts project, I decided I would design a shirt for each child on their birthday.
It was easy to choose what to design for Jill. The girl is obsessed with unicorns. So I designed a unicorn the way I would design a unicorn. Angular and modern.
To be honest, it completely sucked.
And that’s when I had an epiphany. Instead of designing a shirt for Jill, I needed to design a shirt with Jill. I threw out my crappy unicorn design and started to talk to Jill about what she really wanted in a unicorn shirt. We sketched together at the dining room table. We talked about colors and style. She taught me all about “kawaii” style (which apparently is Japanese for cute). We drew different versions of kawaii unicorn eyes. And the end result — our “Team Rainbow Unicorn” shirt — is one of my favorite creations ever.
(One fun note, the horn has ten segments because she’s turning 10. That was my wife’s idea. This shirt is a complete team effort.)
I’ve always said that I don’t — that I can’t — design cute things. And yet, this unicorn is completely adorable. I could never design something like this on my own. I needed Jill’s help to break out of my rigid style. It’s just another reminder to me that I’m a better designer when I partner with other creative people.
Bob Wertz writes about design, technology and pop culture at Sketchbook B. Bob is a Columbia, South Carolina-based designer, creative director, college instructor, husband and dad. He’s particularly obsessed with typography, the creative process and the tools we use to create. He’s currently in the middle of a project to design a new shirt a week for an entire year.
This post was originally posted on August 26, 2017 on Sketchbook B. It’s reposted here as part of a project to move some of my favorite writing to my new site.
I hate my handwriting.
Each week for a year, I’m going to be designing a shirt and releasing it on my Threadless store. This is the design for week 10.
After I finished 2nd grade, we moved from North Carolina to Illinois. The move went smoothly, with one notable exception. In North Carolina, they taught cursive in 3rd grade. In Illinois, they taught cursive in 2nd grade. I didn’t know how to write in cursive, yet I was required to write everything in cursive in my new school.
Mrs. Schmidt was nice and had a solution for this problem… I would learn cursive over the first two weeks of school. A couple times a day, I’d go over to a desk off to the side and do cursive worksheets. And it worked, kind of. I learned the basics of how to make the letterforms, but I never became comfortable. My cursive handwriting never became fluid or natural. It always looked like the writing of a 3rd grader.
Eventually, I moved on from elementary school and my teachers no longer cared if I wrote in cursive. I settled on my current style — mostly block printing with some cursive connectors thrown in for speed. I became more comfortable, but I hated my handwriting.
When I was young, having to write handwritten notes to people always stressed me out because I thought people would judge my juvenile writing. I still don’t write long notes in greeting cards because it makes me anxious. In high school and college, I actively destroyed my signature and made it messier because I thought it looked “older.”
“I still don’t write long notes in greeting cards because it makes me anxious.”
A few years ago, I discovered fountain pens — and better writing utensils. Writing with nice pens and pencils changed my writing. When I wrote with an extra fine nib, my handwriting became small and neat. And with a 1.1 mm stub nib, my handwriting was looser and more fluid. I still don’t love my handwriting, but I’m less embarrassed about writing notes to people.
This week’s shirt is Cursive. And it’s my handwriting. I used a limited edition Blackwing Volume 73 pencil — one with a really soft lead. And I wrote the word cursive in my sketchbook several hundred times.* I eventually found one I liked to scan and convert.
Bob Wertz writes about design, technology and pop culture at Sketchbook B. Bob is a Columbia, South Carolina-based designer, creative director, college instructor, husband and dad. He’s particularly obsessed with typography, the creative process and the tools we use to create. He’s currently in the middle of a project to design a new shirt a week for an entire year.
This post was originally posted on August 20, 2017 on Sketchbook B. It’s reposted here as part of a project to move some of my favorite writing to my new site.
The internet is shaping who we are.
Each week for a year, I’m going to be designing a shirt and releasing it on my Threadless store. This is the ninth design of fifty-two.
The first reference to “You are what you eat” was in the 1860s. But today, I think it’s more accurate to say that in the age of the internet, we become what we consume. Our attitudes, our temperament and even our well-being is significantly influenced by what media we consume online.
I watched last weekend as the events in Charlottesville unfolded. And there were Nazis — Nazis! — marching with torches on a college campus. And then followed by more violence the next day and the death of a counter protester.
Look, I’m not going to blame the internet for Nazis. They existed long before the internet. But I think many of the young adults that showed up in Charlottesville were fueled and amplified by what they saw online. Or more precisely, what they chose to seek out online.
The Nazis are an extreme example of this though. Today, I feel like all of us are shaped by the media we consume. If you only watch Fox News… CNN… conspiracy websites… Twitter… cat videos… hate-filled rhetoric… you slowly become what you consume.
“…having a well-rounded media diet makes us all better, happier and healthier people.”
The internet is full of content. Funny and serious. Factual and false. Some articles and videos are thoughtful and well reasoned. Some content is shallow and inflammatory. I’m not saying you need to only watch serious, long form content from reputable sources. But I am saying that having a well-rounded media diet makes us all better, happier and healthier people.
This week’s shirt is “We become what we consume.” And yes, the lettering is reversed and upside down on purpose. Our eye flips everything it sees.The brain then corrects it for us.
Bob Wertz writes about design, technology and pop culture at Sketchbook B. Bob is a Columbia, South Carolina-based designer, creative director, college instructor, husband and dad. He’s particularly obsessed with typography, the creative process and the tools we use to create. He’s currently in the middle of a project to design a new shirt a week for an entire year.
Team Wertz stopped by Richland Library to check out @zoovaldes new show. Loved it.
This post was originally posted on August 13, 2017 on Sketchbook B. It’s reposted here as part of a project to move some of my favorite writing to my new site.
Every great teacher is a bit of a renegade.
Each week for a year, I’m going to be designing a shirt and releasing it on my Threadless store. This is the eighth design of fifty-two.
School is starting back.
I’ve been lucky to have some amazing teachers through the years in a wide range of subjects and at pretty much every level from elementary school through college. Without exception, every impactful teacher I’ve had was a little unconventional in their teaching methods. They looked for the most powerful way to reach their students, even it meant pouring an absurd amount of time and energy into kids who — let’s be honest — probably didn’t appreciate it at that time.
That was a simpler time. Before constant testing and obsessive parents.* It occurs to me that those great teachers — the ones who were just a little unconventional when I was in school — would be downright renegades in today’s education world.
So to salute those great teachers, this week’s shirt is all about being a renegade in the classroom. A pirate flag for teachers that aren’t afraid to do whatever it takes to teach their students.
* Yes, I know parents have always been obsessive, but today’s parents seem worse by historic standards.
Bob Wertz writes about design, technology and pop culture at Sketchbook B. Bob is a Columbia, South Carolina-based designer, creative director, college instructor, husband and dad. He’s particularly obsessed with typography, the creative process and the tools we use to create. He’s currently in the middle of a project to design a new shirt a week for an entire year.